Clip paths open up a wide array of exciting possibilities. Understanding the simple mechanics and how everything moves relative to each other can help you create some powerful and captivating interactions for your users. In this article, Dennis Gaebel Jr explains the difference between an SVG clipPath and a CSS clip-path, including examples to guide and inform you through this journey. Finally, he’ll share a few demos both personal and in the wild to help you better understand clipPath animation and inspire your visions.
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In this article, Heydon Pickering mixes old with new, taking a somewhat primitive art and breathing new life into it. With the help of Sass, he streamlines the necessary workflow and hopefully demonstrating that automation can, sometimes, be a friend to creativity. The reason he conceived the technique and wrote the necessary code for this article is because he really wanted to make cel animations of his drawings. There was already a goal. The design part is in determining what we want to make in the first place, for whom, and whether it’s really such a good idea.
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While animations may have great visual appeal, they also make app experiences more intuitive and engaging. Animation can make an app feel more fluid and responsive by providing feedback on user interaction. This means that, for designers, creating authentic animations is increasingly becoming a part of the job description. Whether you’re a designer, product manager, developer or anyone else working on a product, Keynote is a great way to communicate ideas quickly. The speed, gentle learning curve and quality of output all make it an ideal tool for your arsenal.
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Even though Photoshop is still a long way off from being able to create the high-end and cinematic animations of such programs as After Effects, it still has enough power to create complex animation. In this article, Stephen Petrany will share advanced techniques to help you create complex animations. He’ll look at the Timeline panel and the different properties that can be animated, and explore the roles that adjustment layers, filters and smart objects can have in animation. Because the topics and techniques in this article are advanced, a moderate level of Photoshop knowledge is expected.
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Animation on the web has the potential to revolutionize our small bright box. We can go even further than traditional animation because we can accept user feedback and input. With these tools we can throw away the soul-destroying, bleak, dark engagements that govern things like airline ticket purchases. We can bake animation into the core of our user experience process to create dazzling, exciting, and engaging work that pushes boundaries and collectively elevates the medium of the web. We can help people by unfolding scenes like a choose-your-own-adventure that can feel fluid, interesting, and intuitive!
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When it comes to providing pleasure or delight in our websites and apps, animations contribute a lot. But always remember that they must be functional first. In this article, Amit Daliot shows us video examples that show functional animation. The following rules map well to every animation Amit encountered so far. They helped him to assess animations that he saw in interfaces, and they are a strong set of guiding principles in deciding how to add animations to a wireframe design.
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In the wake of so much “CSS versus JavaScript animation” infighting, a new API specifically for web animation is coming out that might just unite both camps. In 2014, Rachel Nabors had the chance to travel the world to talk about using animation in user interfaces and design. She met and interviewed dozens of people who use and champion both CSS and JavaScript. What you’re about to read is purely observational and as unbiased an account as you will be able to find on the subject of web animation.
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Everyone likes stuff that moves about on the Web, right? Remember how you cried joyful tears when you first used <marquee>? I do. I nearly sobbed all the water out of my body as I gazed upon “JAKE’S COOL WEBSITE” bobbing back and forth in uppercase serif. Of course, we’re more mature as an industry these days.
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Transitions and subtle motion-based animations are emerging as a new and compelling mobile design material, worthy of being learned and being used with efficiency and grace. Rachel Hinman shares the 12 basic principles of animation.
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